Memoirs of Cleopatra (1997) Read online

  "My father will show you the Museion," Olympos suddenly volunteered, leaping to his feet. "And I personally know the Lighthouse master--"

  Meleagros joined in, to help. "Yes, Varro was most interested in both the Library and the Museion. I will be honored to conduct you--" Thus we all rushed in to save the King--and Egypt.

  Chapter 3.

  Alone in my chamber that night, my nurse having prepared me for sleep, all the lamps extinguished save one, I huddled under my covers, praying to you, Isis.

  Help me now! I begged. Tomorrow . . . tomorrow I have to try to erase what was done tonight. And the truth was I had no idea of how to do it; I did not even know why I had suggested the excursion to begin with. What did it have to do with Pompey, with Father, with Egypt's fate? What could I, a child, hope to do? But I must try; and I enlisted the help of Isis, my mother, she who has all power. . . .

  Shivering, I stole out of the bed and watched the glowing top of the Lighthouse, a sight that I had always found comforting. For as long as I could remember, the huge tower had stood, partially filling the view from my western window. I had grown up watching it change color with the day: pearly pink at dawn, stark white at heated midday, red at sunset, blue-purple at dusk, and finally, at night, a dark column with a blazing tip: the fire roaring inside, magnified by the great polished mirror in its lantern. It sat out on the end of its island, the Pharos--although it was an island no longer, since a long breakwater connected it to the mainland.

  I had never actually been inside it, though. I was most curious to see how it worked. Its base was square; two-thirds of the way up it changed to octagonal, and beyond that it became circular. At the very top was a statue of Zeus Soter, which turned, following the sun; from just beneath Zeus shone out the marvelous beacon. Its mighty base was surrounded by a colonnade of marble, and to one side was a gracious temple of Isis Pharia.

  Alexandria, being on the sea, has a winter. From December to February it is cold, with sea storms blowing in, sweeping the streets with salty spray. Ships do not put out to sea then, and the Lighthouse stands sentinel over empty seas and boats moored safely in our magnificent harbors. In the other seasons it presides over the enormous number of voyages that begin and end here; our two harbors can hold over a thousand ships.

  Tomorrow we would try to amuse the Romans, to cajole and please them, the Lighthouse and I.

  I awoke surprisingly eager for the venture. Partly that was because it was an opportunity for me to see things I was curious about. Although I was a royal princess, and one might think that I had the entire city of Alexandria open to me, I was kept confined, for the most part, to the grounds of the palace and all its many buildings. Visitors came from all over the world to admire our city, a vision in white marble glinting against the aquamarine of the Mediterranean, but we, the royal children, saw less of it than anyone else. Oh, what we saw from our vantage point was very lovely. Out of my window the first sight I beheld was the Lighthouse, which stood like a pale finger in the early dawn, the waves breaking around its base. Closer to me I saw the eastern harbor, rimmed by flights of broad steps that descended into the beckoning water, where you could wade and gather seashells. And within the palace grounds themselves, there was the small Temple of Isis overlooking the open sea, where the wind blew through its columns and whispered around the statue of Isis in her sanctuary.

  Within the grounds, the gardeners brought forth a profusion of blooming flowers--red poppies, blue cornflowers, scarlet roses--which showed dazzlingly against the stark white of the buildings. Everywhere there were pools filled with blue and white lotus, so that the mingled perfume of all these flowers made its own peculiar and indescribable blend. We could call it Scent of the Ptolemies. If it could be bottled, it would fetch a high price in the bazaars, for it was both heady and refreshing at the same time: the fresh sea air kept the flower-perfume from growing too cloying.

  Having been built over a long period of time, the palace buildings varied a great deal. The grandest of them had floors of onyx or alabaster, with walls of ebony. Inside was a feast of richness like a merchant's display: couches ornamented with jasper and carnelian, tables of carved ivory, footstools of citrus wood. Hangings of Tyrian purple, adorned with gold, hid the ebony walls--richness blotting out richness. The silks of the far east, by way of India, found their way to be draped over our chairs. And in the polished floors were reflected the slaves, who were selected for their physical beauty.

  I should have had no need to go beyond these bounds, but when you are brought up around such things, they seem routine. What aroused my curiosity were the dwellings and people outside. We always want what is forbidden, off limits, exotic. To the young Princess Cleopatra, the ordinary was most alluring. Now I would act as a guide to these sites for the Romans, when the truth was, they were also new to me.

  An alarmingly large number of Romans had elected to take the tour. It required a company of chariots and most of the horses from the royal stables. Meleagros and Olympos arrived early, clearly nervous; and Father, shamefacedly, made his appearance as well. Meleagros had enlisted some of his Museion colleagues, and the Macedonian Household Guards would guide us-- while acting as discreet bodyguards.

  I was grateful for Olympos's company; he seemed to know everything about the city, and prompted me as we went along. Of course he had the run of it, being a free Greek citizen, but nonroyal. And he had made the most of his opportunities to explore.

  I was beside Pompey in the large ceremonial chariot. Olympos was at my side, and Father clung to the rail, looking a little green. Behind us were all the rest; the captain of the guard drove.

  As we left the palace grounds and clattered out into the wide streets, cheers went up. I was relieved to hear that they sounded friendly; in Alexandria, one never knew. Our crowds were volatile, and could quickly turn on you. These people were smiling, seemingly happy to have a glimpse of their rulers. But the sight of so many Romans might turn sour on them at any moment.

  Father and I waved at them, and I was gratified when they cried out to us and threw flowers. Then I heard them calling Father by his nickname, Auletes, "the flute-player." But they said it affectionately.

  We turned down the broad marble street that led to Alexander's tomb. On both sides it was bordered with wide colonnades, making the street as beautiful as a temple. Where this north-south street crossed the long east-west street, the Canopic Way, stood Alexander's tomb. Our first stop.

  Everyone who came to the city did obeisance at Alexander's tomb; it was a sacred site. It was he who had laid out the plan for the city itself, and named it after himself, and thereby conferred some of his magic on it.

  Now even the loud, joking Romans fell silent as they approached it. The Invincible himself, lying in his crystal sarcophagus . . . who could not be awed by the sight?

  I had been here only once before, and I remembered it as a frightening place, with its descent into a dark hollow surrounded by flickering lamps, and then the mummified body with its gold armor, distorted by the crystal dome around it.

  Olympos kept up a low murmur of explanation as we walked along. Brought here instead of to Siwa . . . preserved in honey . the gold sarcophagus melted down when money was scarce ... the priests at Memphis refusing him burial, saying wherever he lay would never be quiet . . .

  "How do you know so much?" I asked him, in a whisper.

  "I don't know nearly as much as I would like to," he said, as if he thought my question very ignorant.

  Pompey was staring at the recumbent figure. His round eyes were even rounder. I heard him mutter something in Latin that sounded humble.

  "He wants to be the new Alexander," Olympos whispered in my ear. "People have told him he looks like him; and he does affect the hairstyle."

  That was not good; Alexander had conquered Egypt.

  "Well, he doesn't look like him!" I said.

  "And people keep drawing comparisons," said Olympos. "They harp on his youth, and call him Magnus,
the Great... the only Roman ever given the title! And at twenty-six, too. But they say," he leaned over and said so softly that I could barely hear him, "that he gave the title to himselfl And that he forced Sulla to allow him to have a Triumph."

  Pompey was still staring worshipfully at his idol.

  I stood next to him and said (Why did I say it? Did you, Isis, give me the words?), "I share Alexander's blood. We Ptolemies are of his family."

  Pompey seemed startled out of his reverie. "Then you are blessed, Princess," he said.

  "He will preserve us, and his namesake city, to his eternal glory," I said. "He is our protector."

  Behind me, Father was wringing his hands and looking ineffectual.

  Pompey looked down gravely at me. "In you he has a noble champion," he finally said.

  On to the Museion--so called for the Nine Muses of creative thought-- where the Romans were given a detailed tour, being introduced to the leading scholars and shown the reading rooms. Then the Library, the biggest in the world, with its huge inventory of scrolls. Ptolemy II had started the collection, and each succeeding king had avidly added to it.

  The head librarian, Apollonius, greeted us. "My most exalted King, and Princess, and honored Roman magistrates," he said, bowing low. I could almost hear the bones in his aged back crackling. "Let me show you this temple to the written word."

  He led us through several high-ceilinged rooms, each connected, like links in a chain. Daylight entered through a series of windows running around the perimeter of the room, just beneath the ceiling. Marble tables and benches were arranged around the open floor, and readers of all nationalities were hunched over opened scrolls. I saw the Greek in his tunic, the Arab in his voluminous robe, the Jew in his mantle and hood, the Egyptian, bare-chested with a leather skirt. They all looked up with a jerk as we walked in.

  They followed us with their heads as we passed through, turning like sunflowers before drooping back down to their manuscripts. We were ushered into what looked like a private room, but was actually one of the storage rooms for the library. Shelves ran all around the walls, with labels at neatly spaced intervals identifying the scrolls. It looked like a beehive, with the rolled scrolls each making a cell. A wooden name tag dangled from the knob of each scroll.

  "So this is how they are organized," Pompey said. He looked at one label, which read "Heraclides of Tarentum."

  "Medicine, Imperator," said Apollonius.

  Next to that was another label, "Herophilus of Chalcedon."

  "The unrivaled master of Alexandrian medicine," said Apollonius proudly.

  "Two hundred years ago," said Olympos, under his breath. "There are more recent writings."

  "Everything is here." Apollonius gestured proudly. These manuscripts were his children. "The multi-scrolled works are all in these baskets on the floor, with their labels on the basket handles."

  Pompey was clearly impressed. "The organization is an inspiration to those of us who have archives and records of our own to manage," he said.

  The Romans busied themselves unrolling scrolls; the resulting noise gave me the opportunity to whisper to the all-knowing Olympos, "What is all this business about a will that gives Rome rights to Egypt? I wanted to hear about it last night, but you were talking too much!"

  Now let him tell me, if he could.

  "Oh." Olympos thought for a moment. Then he whispered back, "Your great uncle Alexander the Tenth made a will that gave Egypt to Rome. So the Romans claim! But no one is sure whether he really did, or, if he did, whether it was legal or not."

  "Why can't they just read it and decide?" That seemed the easiest way to find out.

  "It seems to have mysteriously disappeared," he said, raising his eyebrows. "How convenient!"

  For us, or for them? I wondered.

  Suddenly the scroll-noises around us ceased, and so must our conversation.

  Leaving the Library, we gave the Romans a quick look at the enormous Gymnasion, where our athletes trained. And finally, to the Lighthouse.

  "Welcome!" The master of the Lighthouse was standing in the wide doorway, waiting for us. "King Ptolemy, Princess Cleopatra, come and show the Imperator Pompey what your glorious ancestor, Ptolemy Philadelphos, built over two hundred years ago."

  Once inside, he indicated the enormous store of fuel; it looked like a mountain and took up the entire room.

  "The light must burn night and day, and to do that it consumes wood, dung, paper, charcoal--anything that will catch fire. We store all our supply here, and then it is hauled up, four hundred feet, in these baskets." He bade us follow him to a central well, where dangling ropes disappeared upward into what seemed the sky itself.

  "Stairs go up around the perimeter," he said.

  "Can't we ride up in the baskets?" asked Olympos.

  "No," said the Lighthouse master. "For you would emerge right next to the fire; and if you did not, still I would not entrust the pride of Egypt and Rome to a fraying rope."

  It would be a long trudge to the top. There were windows all along the ascent, and as we wound around and around, I saw the harbor growing smaller and the boats beginning to look like the toy ones children sailed in lotus ponds. The higher we got, the more I could see of flat Alexandria stretching out behind the harbor; finally, near the top, I could see past the Hippodrome on the outskirts of the city and almost all the way east to the pleasure-city of Canopus, where that branch of the Nile ended.

  I had aching legs and was short of breath when we finally rounded the last turn of the stairs and emerged at the top.

  The beacon-master waited, framed by his fire. It roared behind him, curling up like the snakes in Medusa's hair, and the sound of the sucking fire, combined with the wind outside, made a fearful howl. Behind it I could see something shimmering and wavering, and then a slave, clad in wet leather, appeared. He was turning the polished bronze mirror-shield that slid in a groove around the fire's perimeter, so that it could be reflected and seen far out to sea. The shield would also catch and throw back the sun's rays at the same time, adding to the brightness. It was said that the fire-beacon could be seen as far out as thirty miles, but that from that distance it twinkled like a star and could easily be mistaken for one.

  The fire was a monster, hardly to be contained. Only then did I notice that the beacon-master was wearing thick leather armor, and had a helmet tucked under his arm--obviously removed in honor of us--that had an iron mesh veil for the face. He knew his monster, and would dress to protect himself. In spite of the heat, the high wind blowing in would keep him from becoming faint.

  "I heard there was a glass lens here," said Olympos.

  "How could there be? The heat would melt the glass," said Pompey.

  "We tried to make one, once," said the beacon-master. "But we could not cast a piece of glass large enough to serve our purpose. It would be an excellent idea, though. If we could magnify the light we have, we would not need such a large fire. And no, the heat would not melt the glass, unless it was thrust right into the flames."

  "It seems to me," said Olympos, "that if we had a lens, we could use sunlight instead of a fire."

  "Good enough in the daytime, Olympos," said his father, "but what of the nighttime?"

  Everyone laughed, but Olympos persisted. "Ships don't sail at night."

  "But they sail in cloudy weather," Meleagros said. "And get caught in storms. Your sun-lens would fail then."

  Ships . . . sailing . . . the thought of being on the water was unnerving for me. Just walking across the seawall toward the Lighthouse today had been difficult. I hated the water, because of that stabbing memory of the boat, and my mother. But I was forced to live by water, and look at it every day. I had yet to learn to swim, and I avoided boats whenever possible. Even the little lotus pools in the palace seemed threatening to me. I dreaded being called a coward, should anyone notice how I avoided the water.

  "Your city is fair," said Pompey, turning slowly to see the entire panorama. "White . . . fair .
. . cool and cultured ..."

  "No one could love it as we do," I said suddenly. I knew they were the right words, exactly the right words. "We will guard it for you, and it will always be waiting for you."

  He looked down at me and smiled. "I know you will, Princess," he said. "It is safe in your hands."

  Was it then I felt--or discovered--the strange power I have in personal encounters? I do not do anything extraordinary, I say no special words, but I seem to have the ability to win people to my side, to disarm them. I do not know how. And it works only in person. In letters I have no special magic. Let me see someone, talk to him--or her--and I have persuasive powers I cannot explain. It must be something granted me by Isis herself, who has ever been my guardian. And she alone knows how I have tried to use her gift to bend the world to my vision and spare Egypt from Roman destruction.

  Mercifully, the Romans departed the next day, but not before extracting more money and aid from Father for their campaigns. But they were gone, gone, gone . . . and Egypt had been spared. Pompey and his retinue sailed away, to grapple with politics in Rome. I hoped never to see him, or another Roman, again.

  * * *

  But it seemed our fate was inextricably entwined with that of Rome. Three years later, a visiting Roman accidentally killed a cat--an animal sacred to Egyptians. The population of Alexandria rioted, and tried to murder the Roman. The city was in a tumult; it was all our guards could do to protect him and quell the mob. All we would need was such an incident to invite Roman intervention, which was always a threat.